Sunday, March 1, 2015

The Importance of Singing and Dancing for the Continuity of Tibetan Culture

The joyful Khaita songs and dances are now widely practiced all over the world. If you missed the charming international birthday greeting to Rinpoche back in December, here it is again. It very much conveys the flavor of this community practice.


 During the Teacher Trainings in Dzamling Gar in January, Rinpoche again addressed the importance of these Tibetan songs and dances for the continuity of Tibetan culture. The following is reprinted from the Mirror. Click onth e link below to continue with the article. 

 In the program for this retreat [the Teacher Authorizations - Jan 30-Feb.4, 2015] we also have the program of singing and dancing. This may surprise many of you, for example, that many times during retreats I not only explain the Teaching and we practice together, but we also sing and dance. When I start singing and dancing most people go away. They think, “I do not enjoy this singing and dancing, this is not Dzogchen, this is not teaching”, and some people may also think, “Oh, our Teacher is doing stupid work, always singing and dancing instead of doing practice.” I imagine they have this kind of idea and that’s why they do not remain and are not participating.  To continue Reprinted from the Mirror 

The Tsegyalgar East blog has covered this story over the past year or so from both a Tibetan perspective and Western. 
Visit the links here:

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